An Uncompromising Look at Photography and Gender.
Before becoming an art historian, Abigail Solomon-Godeau was a freelance critic, curator and photographic critic and historian. Her first book, Photography at the Dock: Essays on Photographic History, Institutions, and Practices was published by the University of Minnesota Press in 1991.
Abigail Solomon-Godeau is an American art critic, exhibition curator and art historian.
Published in conjunction with the exhibition Sexual Difference: Both sides of the Camera, the author Abigail Solomon-Godeau confronts the issue of sexual difference and photography.
Abigail Solomon-Godeau has set as her task the examination of the politics of photographic criticism, history, and practice. Photography at the Dock is a revisionist approach to the history of photography, a critique of photographic modernism and the institutions promoting it, and a feminist exploration of the camera's role in producing (and reproducing) dominant social and sexual ideology.
Male Trouble: A Crisis in Representation (Interplay S.) by Solomon-Godeau, Abigail and a great selection of related books, art and collectibles available now at AbeBooks.co.uk.
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Abigail Solomon-Godeau, Male Trouble: A Crisis in Representation:p.177: Lacan's distinction between the phallus and the penis.is a useful point of departure for a consideration of the conventions of the ideal male nude. The disparity between the symbolic power of the former and the moral, corporeal status of the latter may be likened to the difference between the authority of patriarchy as a.
In addition to Abigail Solomon-Godeau's contribution, essays by Fredric Jameson, Alice Jardine, Eric Michaud, Elisabeth Sussman and David Joselit critically examine such issues as the problematic nature of utopian impulses in recent art (Jameson); the question of authenticity (Jardine); the shifting relationship between the represented and real worlds (Michaud); the phenomenon of collaboration.
Abigail Solomon-Godeau Page start 312 Page end 329 Is part of Book Title The Expanding discourse: feminism and art history Author(s) Broude, Norma, Garrard, Mary D. Date c1992 Publisher IconEditions Pub place New York Edition 1st ed ISBN-10 0064302075, 0064303918 eBook. Access the eBook.
Going native. Add to My Bookmarks Export citation. Type Article Author(s) Abigail Solomon-Godeau Date 1989 Volume 77 Issue 7 Page start 118 Page end 129 Is part of Journal Title Art in America. Preview. This item appears on. List: AR216 After Impressionism: European Art from Van Gogh to Klimt Section.
Buy Rosemary Laing, Oxfam, Abigail Solomon-Godeau, 3791346660, 9783791346663.
The nature of the photographic image and the role of the individual in a media-saturated society are the subjects of the landmark exhibition and accompanying catalogue Public Information: Desire, Disaster, Document, presented by the San Francisco Museum of Modern Art on the occasion of the opening of its new building, designed by Mario Botta. Works by 15 artists spanning four decades trace the.
Lastly, Solomon-Godeau examines the work of a feminist photographer who seeks to counter the sexual politics that photography normally confirms.
